(It’s 1996.) Instead of The Merchant of Penis, he opts for As You Lick It, and when prompted to choose what sort of experience he wants, he chooses true love. He considers which Shakespeare Sex Interactive CD-Rom to watch. Meanwhile, Romeo (Will Kennan) is pining for his Rosie (Rosaline) while seated alone at his computer. Juliet (Jane Jenson) confides her ambivalent sexual feelings about men to her nurse (Debbie Rochon), with whom she is sexually intimate. One peculiar example is a scene that juxtaposes two sexual acts. The spiritual life at the center of Romeo and Juliet’s culture, and the patriarchal fury of the play, are consistent with these themes. Sometimes this comes off as goofy camp, but sometimes this comes off as a surrealistic nightmare of Puritanical America. The hymn “Shall We Gather at the River” repeats constantly throughout the film, and the need to repress awareness of our own desires, and our need to wield tyrannical control our children’s desires, is one of the themes of this film. The two feuding households are dueling pornographic filmmakers. Tromeo and Juliet is a decidedly American take on Shakespeare’s tragedy. Perhaps viewers not from America might think this Will to Outrage strained. If you want a painfully sanitized aesthetic, might I recommend Carlo Carlei’s Romeo and Juliet? There is in this film the exploitation-movie compulsion towards graphic sex and gore, as well as astoundingly low lowbrow humor that may superficially seem contrary to the spirit of the great bard. Of course, little of Shakespeare’s language appears in Tromeo, and when it does, it is usually given voice in the form of the prologue, performed by Lemmy of Motörhead!īut the screenplay also nimbly borrows lines from other Shakespeare plays. Tromeo and Juliet was released the same year as Romeo + Juliet.
Perhaps it’s the fact that James Gunn, of Guardians of the Galaxy fame, co-wrote the script, but I was pleasantly surprised to discover that Tromeo and Juliet is one of the best Shakespeare films of all time. His studio, Troma, is a factory for latter day exploitation cinema. I admit I don’t know much of Kaufman’s oeuvre beyond The Toxic Avenger. I anticipated that this Lloyd Kaufman film would be one of those at best. From time to time, I review films that may seem tangential to Shakespearean theatre, such as Strange Brew and Gnomeo and Juliet and Edward II.
Last week, the bourgeoisie wet dream that is Carlo Carlei’s Romeo and Juliet so dismayed me that I decided the time had come to try Tromeo and Juliet. "The Toxic Avenger," "Class of Nuke 'Em High," "Surf Nazis Must Die" and the yummy "Chopper Chicks in Zombietown" skewed cheesy cinematic conventions in a manner that made it impossible to see the originals without wincing.67. Troma Team have become the movies' sharpest satirists of genre films. Underneath all the poetry, the play is about raging adolescent hormones, and if it's not edifying to observe Tromeo arousing himself with dirty CD-ROMs, or Juliet calling a 900-number (a sequence even funnier than the one in Robert Altman's
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Jensen brings moments of affecting, wide-eyed tenderness to her assignment, and does she ever look out of place.Īs a rebuke to the timid Shakespeare updaters, "Tromeo and Juliet" goes all the way the movie was finished before Baz Luhrmann's version. Kaufman even permits his Tromeo (Will Keenan) and Juliet (Jane Jensen) a lyrical and explicit love scene. Romeo turns up at the Capulets' party dressed as a huge cow and Juliet's dreams go heavy on the gallows humor. The soundtrack blares with rock music.Īmid the severed fingers, gouged eyes and lethal vibrators, one finds moments of genuine wit. And forget Tchaikovsky, Berlioz, Prokofiev and Bernstein. Instead of obtaining a sleeping potion, Juliet visits an opium den for a concoction that turns her into a creature out of a "Twilight Zone" episode.
Paris (London Arbuckle) is the nerdy scion of a big-time butcher who regales his vegetarian fiancee with the most disgusting viands. Friar Laurence (Father Lawrence) likes little boys. The Ques and the Capulets are at odds because Cappy Capulet once connived to cheat his former partner, Monty Que, out of his share of their pornographic movie business. "Tromeo and Juliet" does occasionally call time out from the gross out. "Henry IV, Part 2" for both dialogue and inspiration.īut why force your actors to speak in iambic pentameter when body piercings, graphic tattooing, rigid nipples, gleeful dismemberments, happy decapitations, the flailing of dead animals and the forcible expulsion of sundry bodily fluids communicate so much more eloquently to the younger generation?
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